The prey is cornered. Will Eve Duncan survive? Will those she loves take the fall with her? And will the secrets of Eve's past ultimately become her undoing? Now, the stakes are even higher because it's a question of capture and escape, hunter and prey, life and death.
In this biography of Ann Weaver Norton, Caroline Seebohm brings forward a singular life lived during a time of great cultural and artistic change and creates an appealing window into Southern mores, gender equity and abstract expressionism
In this biography of Ann Weaver Norton, Caroline Seebohm brings forward a singular life lived during a time of great cultural and artistic change and creates an appealing window into Southern mores, gender equity and abstract expressionism.
Southern roots: Selma, Alabama, 1905-1930 -- The origins of a great Alabama family -- Childhood in Selma -- Early success -- The art world in turmoil: New York, 1930-1942 -- A tumultuous education -- The emergence of an artist -- A rare friendship -- Career challenges -- A turni…
In this biography of Ann Weaver Norton, Caroline Seebohm brings forward a singular life lived during a time of great cultural and artistic change and creates an appealing window into Southern mores, gender equity and abstract expressionism.
In this biography of Ann Weaver Norton, Caroline Seebohm brings forward a singular life lived during a time of great cultural and artistic change and creates an appealing window into Southern mores, gender equity and abstract expressionism.
In 1929, the Museum of Modern Art opened its doors, showing the astonishing paintings of Picasso, Matisse, and other avant garde artists. Young American artists quickly responded by experimenting with impressionism, cubism, and abstraction. In Monumental Dreams, author Caroline …
Introduction ; To hell and back (the present) ; Gisèle d'Estoc and World War II (the 1930s) ; A storm in a teacup and a bomb in a flowerpot (the 1890s) ; An interlude (no time in particular) ; Gisèle d'Estoc when she was real (the 1870s) ; Gisèle d'Estoc and who she wasn't (the …
"Gisèle d'Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with anothe…
Gisèle d'Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with another…
Gisèle d'Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with another…
A second installment in a new Eve Duncan story arc trilogy finds the stakes raised higher as the forensic sculptor battles her captor and discovers brutally dangerous truths about why she has been targeted.
