writers

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Hugh Walpole was born in 1884, and arrived on the literary scene at the first attempt with his novel The Wooden Horse (1909), just as literary modernism was making its mark. Loyal to the traditional novel of plot and character, he was nevertheless aware that writers of his own g…

現代嶺南女作家的文學創作與中國現代文學史的五四新文學、革命文學、左翼文學、抗戰文學及延安文學等各時期的文學主潮基本保持一致。在新文學領域,澳門女作家趙連城、冼玉清;廣府女作家許廣平、草明、吳乃茵、杜君慧;潮汕女作家馮鏗、陳波兒、許心影、陳曙光、陳鳳兮;客家女作家李堅真、李素英,等等,從嶺南邊緣地帶進入北京、上海、武漢、延安等文化中心,融入文學主潮,以嶺南文化獨有的品格和活力,創作了不少優秀的文藝作品,在文學史上具有一定的作用和地位。在文言詩詞領域,趙連城、冼玉清、許心影、張荃等在抗戰時期的愛國詩篇,與同時代嶺南文人饒宗頤等一樣,表現了崇高的中華民族詩魂…

John Milton’s Satan from his epic poem Paradise Lost is often read as a complex and sympathetic character, but a villain nonetheless. Here, I will examine how Milton’s Satan not only became a template for the modern atheistic Satanic Ideal, which is outlined by Anton Szandor LaV…

Since its heyday in the early 1960s, diction has fallen out of the critical conversation. Today diction is talked about, if at all, as a matter of praxis and thus is relegated almost exclusively to workshops; and when this diction becomes poetic, it offers a clear way not to pro…