This thesis examines a cluster of recent films that feature people of Maghrebi heritage and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, Franc…
This writing analyzes how the post-1965 cultural reconstruction in Indonesia functioned as a form of domination to maintain control over women's cultural identity formation and how that has been reflected within performing arts in Indonesia. I will focus on how state narratives …
The works I examine in this thesis for Egyptian women’s narrative liberation strategies span from the nationalist-feminist works of the 1920s in Egypt throughout the twentieth century. I include works by Huda Shaarawi, Zainab al-Ghazali, Nawal El Saadawi, Latifa al-Zayyat, the p…
The presentation of the body, like the creation of a text, is a performance of identity reflecting upon both its author and the culture in which it has been invented. Women, already a subjugated group within western culture, are further stigmatized after choosing to undergo body…