This study argues for the centrality of dance to the style and structure of three modern epics: H.D.'s Helen in Egypt, William Carlos Williams' Paterson and James Joyce's Ulysses. My critical approach is twofold: I examine how the modern epic is conceptualized through dance aest…
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This dissertation is concerned with the study of the Sistāni Cycle of Epics (SCE), a body of literature produced in its extant form from 11-13 th centuries in Iran. It was during the same period that Iran's grand epic, the Shāhnāmeh, was composed. Although Ferdowsi, the composer…
Critics traditionally have defined the epic as a genre marked by a central authoritative and culturally influential voice. Consequently, they have viewed many twentieth-century long poems as fragmented, failed epics or not as epics at all. Using and revising the theory of hetero…