Thesiss

Despite the huge amount of research on European cinema of the 1920s, little attention has been paid to the influence of cross-cultural encounters on the trajectory of national film histories. This study argues that Soviet film was shaped by the reception of German film to an ext…

In my dissertation I examine the ways in which the concept of authorship, and its related discourses of authority, control, and artistic value, were destabilized by the introduction of the new film medium. Film not only represented collaborative work on an unprecedented scale, i…

Between 1933 and 1945, under the supervision of Reich Minister of Propaganda Joseph Goebbels, the propaganda of the Nazi Party, and later the German government, preached a message of absolute devotion to the state based around principles derived from hegemonic ideals of masculin…