This thesis examines the development of the surreal and often transgressively lurid aesthetic of Italian horror cinema of the late twentieth century and its connection to the turbulent relationship between the nation’s cinema and its troubled political history. Much of the previ…
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The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of A…