Since her fabrication, the Witch has been suffocated by the masculine voice and mode. Beginning with the witch-hunts, her social narrative has been completely dictated by men. All predicating texts were written by men, for men to use against women. From Macbeth to the King James…
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This thesis is an exploration of witches, as depicted in entertainment media. “Queering Witches: A Queer Feminist Exploration of Witches in Media” analyzes the way history has contributed to the reinforcement of stereotypes about witches using queer theory and feminist analysis.…
The figure of a night-goddess – a deity closely associated with chaos, danger, and darkness as a maternal entity sheltering human kind from impeding catastrophes or an agent of destruction that instigates them – has been pervading Western religious and poetic imagination from th…
When the archetype of the witch is activated within the cultural complex of prevailing sociopolitical and economic constructs, history has shown that people, particularly women, die. However, in today’s very divisive social, political, and economic discourse, the witch arrives o…
The ambiguous relationship between history, women and witchcraft in Sylvia Townsend Warner’s Lolly Willowes and Graham Swift’s Waterland foregrounds the constructedness of historical narratives while also recuperating women’s marginalized positions within history. Both novels li…
The present study aims to bring into focus the antinomian doctrine of redemption through sin as it appears in Jules Michelet’s La Sorcière. According to Michelet, the witch-cult was both vestigial paganism and an attempt at overthrowing the Christian political order. The witch r…