This dissertation offers a comprehensive account of the work of American photographer, Frederick Sommer (1905-1999). Looking closely at the works produced between 1939-1962, I argue that a defining quality of Sommer’s work is its commitment to effects of density, opacity, and co…
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When debris is discarded, it becomes integrated into the geologic processes and identity. We all leave objects behind after consumption. A statement in history lingers, told by our physical traces and material remains. These components reveal a collective, as well as personal id…