This research project primarily focuses on the organization and analysis of ceramic shaft tomb figures from the western coastal states of Nayarit, Jalisco, Colima and Michoacán of Mexico. The data collected on the shaft tomb figures is organized with technological assistance in …
In this paper I consider work in the cognitive science of religion in light of anthropological work by Saba Mahmood and Charles Hirschkind on the formation of religious subjects in contemporary Egypt to highlight how Foucault's historical constitution of the subject involves the…
Great ape gesture is an elaborate, flexible system of intentional communication. It has been suggested that human language originated in gesture, thus, the gestural communication of great apes is of great interest for questions on the origin of language. To date, systematic stud…
In this thesis, I explore the ongoing development of symbol use in three domains: pretend play, speech and gestures. In chapter 1, the specific behavioural manifestations of symbol use in these domains are identified and previous literature that has explored the cognitive underp…
While most human language is expressed verbally, the gestures produced concurrent to speech provide additional information, help listeners interpret meaning, and provide insight into the cognitive processes of the speaker. Several theories have suggested that gesture played an i…
This dissertation contains three studies that investigate whether attested patterns of constituent order distribution and change in the world's languages can be attributed, in part, to cognitive preferences for some constituent orders over others. To assess these preferences, se…
How do non-vocal practices function within sequences? This thesis addresses silence and gesture in the context of social interaction involving human participants through the framework of conversation analysis (CA) to answer this question. Although it is certainly possible, and i…
In this series of work entitled hoodies. I am examining the definition of portraiture. It is a reductive process in which I question what elements of a portrait I am willing to let go of. The answer comes as a form of abstraction–abstracting the recognizable human form, the envi…