Why theatre?
by Estevam, Douglas, Rau, Milo, Staal, Lara, Casella, Luanda, Muraya, Ogutu, Vumilia, Marc-Antoine, Mouffe, Chantal, Scheidler, Fabian, Jordan, John, D'Souza, Radha, Chipaumire, Nora, Kennedy, Susanne, Liddell, Angélica, Louis, Édouard, Okada, Toshiki, Platel, Alain, Pollesch, René, Rodrigues, Tiago, Warlop, Miet, Al Attar, Mohammad, Arias, Lola, Aristizábal, Hector, Bartana, Yael, Baudriller, Vincent, Bel, Jérôme, Ben Chikha, Chokri, Bruguera, Tania, Claessens, Benny, Copper, Kelly, De Keersmaeker, Anne Teresa, Drăgan, Mihaela, El Khoury, Tania, Esinencu, Nicoleta, Etchells, Tim, Forjaz, Cibele, Frljić, Oliver, Gosselin, Julien, Hendrickx, Sébastien, Holzinger, Florentina, Huang, Hsin-Chien, Huppert, Isabelle, Infante, Manuela, Jatahy, Christiane, Kaegi, Stefan, Karschnia, Alexander, Kentridge, William, Koohestani, Amir Reza, Laberenz, Aino, Larbi Cherkaoui, Sidi, Lardi, Ursina, Lauwers, Jan, Layera, Marco, Leadbitter, James, Leysen, Frie, Lilienthal, Matthias, Malzacher, Florian, Mitchell, Katie, Mitrović, Sanja, Mnouchkine, Ariane, Montanari, Ermanna, Martinelli, Marco, Morgenstern, Maia, Mpelé, Yolanda, Mroué, Rabih, Mundruzcó, Kornel, Mutiri, Nganji, Neziraj, Jeton, Nicolò, Daniela, Casagrande, Enrico, Nikitin, Boris, Nyamza, Mamela, Öhrn, Markus, Osten, Suzanne, Ostermeier, Thomas, Ouizguen, Bouchra, Pauwels, Lies, Perceval, Luk, Quesne, Philippe, Rasem, Mokhallad, Richter, Falk, Röggla, Kathrin, Roll, Pia Maria, Benammar, Hanan, Ruiz, Didier, Sabra, Amir, Saleh, Farah, Seidel, Dennis, Serebrennikov, Kirill, Siwani, Buhlebezwe, Spångberg, Mårten, Sprenger, Veit, Staal, Jonas, Strauß, Botho, Tupajić, Tea, Karemera, Carole Umulinga, Vamos, Igor, van Hove, Ivo, Vienne, Gisèle, Vilensky, Dmitry, Waltz, Sasha, Warsza, Joanna, Weerasethakul, Apichatpong, Ziegler, Dominique, NTGent, Back to Back Theatre, Bread and Puppet Theater, LasTesis, Gob Squad, House of Muchness, She She Pop, Zentrum für Politische Schönheit
fromGoldenes Buch
Performative inter-actions in African theatre
Performative inter-actions in African theatre
Drawing on expertise from across the African continent this collection reflects the realities for women working and making theatre: how Egyptian director Dalia Basiouny has documented the "Tahrir Stories" of the Egyptian Revolution; how in Uganda women have used various theatric…
