Explores the return of the 'epic' in twenty-first-century cinema. With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain u…
The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twent…
This title offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the 21st century.
With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain unanswered. Why did the epic come back, and why did it fall out of …
This title offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the 21st century.
Explores the return of the 'epic' in twenty-first-century cinema. With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain u…
Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…
Encourages us to wonder why critics have routinely dismissed the epic film. This work argues that blockbuster and artistic are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a nation's dreams and fears.
Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…
"In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of th…