Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Ausstellungen sind konstitutiv für die "Ordnungen des Wissens" einer Kultur - so etwa für den Kanon der Kunstgeschichte. Im Mittelpunkt dieses Buches steht die "Documenta 11" aus dem Jahre 2002, an der sich eine Entwicklung symptomatisch ablesen lässt: Nach dem Bruch von 1989 un…
On Resonance -- The Visitors -- Time -- Water -- Air 2.0 -- Human, All Too Posthuman -- Silence -- Telepathic Variations -- Unwalled. "The first overview of resonance/vibration - covering the field thematically, and written by one of the leading figures in sound studies and sou…
Introduction: screen subjects -- Interface matters: screen-reliant installation art -- Body and screen: the architecture of screen spectatorship -- Installing time: spatialized time and exploratory duration -- Be here (and there) now: the spatial dynamics of spectatorship -- Wha…
"Media screens--film, video, and computer screens--have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses …
Investigates how viewers experience screen-based art in museums.
Bilder sind heute in hohem Maße mobil(isiert). Dafür sorgen nicht nur ihre mediale Diffusion und technische Reproduzierbarkeit, sondern vor allem auch die vielfältigen, beweglichen Apparaturen zur Projektion. Projektion ist dabei nicht nur als eine geometrische Anordnung zu vers…
Digital baroque: new media art and cinematic folds
In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpec…
Pt. 1. Transnational flows in cinema -- pt. 2. Fragmented journeys in moving-image art.
"Multi-media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world's foremost artists. Nick Kaye explores the interdisciplinary history and charac…
'Multi-Media' charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world's foremost artists.