Renaissance music

by Kreitner, Kenneth

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Title Statements

Full title :Renaissance music / edited by Kenneth Kreitner

Edition Statements

Publication Date:©2011

Publication Statements

Publisher(s):Ashgate
Place of Publication:Farnham, Surrey, England
Language:eng
Publication Date:©2011

Notes

Essays originally published 1946-2009, principally in the journal Early music

Pt. 1, Method. On "instrumental style" in early melody / Lloyd Hibberd. Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows. pt. 2, Songs. Going beyond the limits : experiments with vocalization in the French chanson, 1340-1440 / Christopher Page. Performance practices in the frottola / William F. Prizer. The a cappella heresy in Spain : an inquisition into the performance of the cancionero repertory / Tess Knighton. Tenorlied, Discantlied, polyphonic Lied : voices and instruments in German secular polyphony of the Renaissance / Stephen Keyl. Performance practice in the seconda prattica madrigal / Rinaldo Alessandrini. pt. 3, Sacred music. The performing ensembles in Josquin's sacred music / David Fallows. Performance practice in the papal chapel during the 16th century / Richard Sherr. The performance of Palestrina : some questions, but fewer answers / Graham Dixon. The performance of Palestrina : some further questions / Noel O'Regan. What can the organ partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice? / Noel O'Regan. Minstrels in Spanish churches, 1400-1600 / Kenneth Kreitner. pt. 4, Instrumental music. Voices and instruments : soloists and ensembles in the 15th century / Keith Polk. A cook's tour of Ferrara in 1529 / Howard Mayer Brown. Notes (and transposing notes) on the transverse flute in the early sixteenth century / Howard Mayer Brown. pt. 5, Notation. Diatonic ficta / Margaret Bent. "High" clefs in composition and performance / Andrew Johnstone. pt. 6, Perspective. Sight-readings : notes on a cappella performance practice / Donald Grieg. For whom do the singers sing? / Bonnie J. Blackburn

The Physical Object

Description:xxiv, 444 s. : : illustrations, music ; : 25 cm

Edition Identifiers

ISBN:0754629635, 9780754629634
oclc:ocn781617760
LC Classification:ML457
Dewey Decimal:781.4309031

pt. 1, Method -- On "instrumental style" in early melody / Lloyd Hibberd -- Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows -- pt -- 2, Songs -- Going beyond the limits : experiments with vocalization in the French chanson, 1340-1440 / Christopher Page -- Performance practices in the frottola / William F. Prizer -- The a cappella heresy in Spain : an inquisition into the performance of the cancionero repertory / Tess Knighton -- Tenorlied, Discantlied, polyphonic Lied : voices and instruments in German secular polyphony of the Renaissance / Stephen Keyl -- Performance practice in the seconda prattica madrigal / Rinaldo Alessandrini -- pt -- 3, Sacred music -- The performing ensembles in Josquin's sacred music / David Fallows -- Performance practice in the papal chapel during the 16th century / Richard Sherr -- The performance of Palestrina : some questions, but fewer answers / Graham Dixon -- The performance of Palestrina : some further questions / Noel O'Regan -- What can the organ partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice? / Noel O'Regan -- Mins…

Subjects

History Music -- Performance Musique -- Exécution Performance practice (Music) Performance practice (Music) -- History… Performance practice (Music) -- History… Pratique de l'exécution (Musique) -- Hi… To 1599