Stephen Downes examines the work of Britten, Weill and Henze to explore the significance of Gustav Mahler for twentieth-century music.
Stephen Downes examines the work of Britten, Weill and Henze to explore the significance of Gustav Mahler for twentieth-century music.
The music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of…
Gustav Mahler is often thought of as one of the last of the Romantic composers and, as a result his influence on the development of twentieth-century music has been little explored. In this ground-breaking study, Stephen Downes shows that Mahler's music was in fact greatly admir…
Stephen Downes examines the work of Britten, Weill and Henze to explore the significance of Gustav Mahler for twentieth-century music.
In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book c…
In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book c…
In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book c…
"Aesthetics of Music: Musicological Perspectives" is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as pos…