A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Niels…
A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Niels…
Carl Nielsen (1865-1931) is one of the most playful, life-affirming and awkward voices in twentieth-century music. His work resists easy stylistic categorisation or containment, yet its melodic richness and harmonic vitality are immediately appealing and engaging. Nielsen's symp…
Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends …
by ProQuest (Firm), Grimley, Daniel M.
fromA Princeton University e-book
Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends …
by Adorno, Theodor W., Grimley, Daniel M., Grimley, Daniel M.
Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends …
