"Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet …
"The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performanc…
The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music.
The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music.
The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music. Historians of instruments and instrumental music have long recog…
European music, 1520-1640
by Haar, James, Brooks, Jeanice, Carter, Tim, Van Orden, Kate, Wainwright, Jonathan P., Fenlon, Iain, Leaver, Robin A., Atlas, Allan W., Berger, Karol, Bergquist, Peter, Borgerding, Todd M., Bray, Roger, Coelho, Victor Anand, Crook, David, Cummings, Anthony M., Forney, Kristine K., Freedman, Richard, Gerbino, Giuseppe, Monson, Craig, O'Regan, Noel, Ongaro, Giulio, Stein, Louise K., Tomlinson, Gary, Tunley, David
fromStudies In Medieval And Renaissance Music