In The Bowery in two inadequate descriptive systems (1974--75), Martha Rosler bridged the concerns of art with those of political documentary. The work, a series of twenty-one black-and-white photographs, twenty-four text panels and three blank panels, embraces the codes of the …
In this illustrated, extended essay on the work by Rosler, Steve Edwards argues that although the critical attitude towards documentary is an important dimension of the piece, it does not exhaust the meaning of the project.
In this illustrated, extended essay on the work by Rosler, Steve Edwards argues that although the critical attitude towards documentary is an important dimension of the piece, it does not exhaust the meaning of the project.
The first sustained critical examination of a work by Martha Rosler that bridged the concerns of conceptual art with those of political documentary. In The Bowery in two inadequate descriptive systems (1974'1975) Martha Rosler bridged the concerns of conceptual art with those of…
An illustrated exploration of a groundbreaking work and its connections to New York's art and music scenes of the 1980s. Dan Graham's Rock My Religion (1982'1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochra…
One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action 'Bliz…
One wintry day in 1983, David Hammons peddled snowballs of various sizes. He laid them out in graduated rows and spent the day acting as obliging salesman. Calling the unannounced street action Bliz-aard Ball Sale, he inscribed it into a body of work that, from the late 1960s to…