Here, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch's cinematographic legacy. Featuring over 150 images, this book is an essential introduction to Rouch's work.
Here, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch's cinematographic legacy. Featuring over 150 images, this book is an essential introduction to Rouch's work.
Maryse Alberti, ASC (Collateral beauty, Creed, The wrestler) -- John Bailey, ASC (Ordinary people, In the line of fire, The greatest) -- Robert Elswit, ASC (There will be blood, The Bourne legacy, Salt) -- Kirsten Johnson (Fahrenheit 9/11, Cameraperson, Trapped) -- Kira Kelly (Q…
"Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight i…
"Packed with gems of wisdom from the current 'masters of light', this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost's interviews provide unprecedented insight i…
At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodak…
At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodak…
At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodak…
At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodak…
"As an Official Army Photographer, "Mac" Fleming's assignment was to take motion pictures of significant wartime events for the U.S. Army. In the first-aid kit on his belt, he also carried a small personal camera, which he used to take pictures of the people and places that inte…