This is the follow-up to the 'The System of Comics' - in which the leading comics theorist Thierry Groensteen investigated how the medium functions, and introduced the principle of iconic solidarity - 'Comics and Narration' takes Groensteen's analysis even further, using example…
This three volume set covers over 215 well-regarded works of the independent and underground genre of graphic novels, summarizing plots and analyzing the works in terms of their literary integrity and overall contribution to the graphic novel landscape.
Contains essays covering graphic novels and core comics series, focusing on the independents and underground genre. Provides in-depth insight for the most popular and studied graphic novels.
"Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times…
"Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times…
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of narrative beyond traditional literary texts. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical pe…
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of narrative beyond traditional literary texts. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical pe…
"Cuando el Maus de Art Spiegelman ganó el Premio Pulitzer en 1992, marcó una nueva era para el cómic. Los cómics son tomados en serio por las mismas instituciones académicas y culturales que durante mucho tiempo rechazaron la forma. Y la visibilidad de los cómics sigue aumentand…
When Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists…