The 19 papers of this collection were first presented at the 1999 History and Images Congress held at the U. of Copenhagen in Denmark. As reflected in the subtitle, the international group of historians and art historians provide essays that reflect new approaches to the reading…
El programa televisivo Ways of seeing, dirigido en 1972 por John Berger, se propuso analizar cómo nuestros modos de ver afectan a la forma de interpretar. La serie recibió diversos premios, revolucionó la teoría del arte y fue adaptada al presente libro, convirtiéndose desde ent…
El programa televisivo Ways of seeing, dirigido en 1972 por John Berger, se propuso analizar cómo nuestros modos de ver afectan a la forma de interpretar. La serie recibió diversos premios, revolucionó la teoría del arte y fue adaptada al presente libro, convirtiéndose desde ent…
Preliminary Material -- Bilder lügen -- Wahrheiten im Bild -- Drei maßgebliche bildtheoretische Ansätze -- Das Pikturale: Artefakte, Farbgebilde, Bilddinge -- Bildermachen -- Bildersehen: Opsis, Imagination, Intuition -- Bildraum -- Die Zeitlichkeit des Bildes: augenblickliche E…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to …
An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
Introduction / Carla Fernandes -- Negotiating deliberate choice-making : insights from an interdisciplinary and multimodal encounter during the making of a new contemporary dance / Sylvia Rijmer -- Dance, data, storytelling / Stephan Jürgens -- Enabling multimodal interaction in…
"Dance Data, Cognition and Multimodal Communication is the result of a collaborative and transdisciplinary effort towards a first definition of "dance data", with its complexities and contradictions, in a time where cognitive science is growing in parallel to the need of a renew…
"Dance Data, Cognition and Multimodal Communication is the result of a collaborative and transdisciplinary effort towards a first definition of "dance data", with its complexities and contradictions, in a time where cognitive science is growing in parallel to the need of a renew…
