Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework tha…
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework tha…
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory.
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory. "Using cotton-a commodity central to the slave trade and colonialism-as a pa…
In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-K…
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
"Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture."--
"The rise of both the empire of cotton and the empire of fashion in the nineteenth century brought new opportunities for sartorial self-expression to millions of ordinary people who could now afford to dress in style and assert their physical presence. Millions of laborers toili…
The rise of both the empire of cotton and the empire of fashion in the nineteenth century brought new opportunities for sartorial self-expression to millions of ordinary people who could now afford to dress in style and assert their physical presence. Millions of laborers toilin…
"The rise of both the empire of cotton and the empire of fashion in the nineteenth century brought new opportunities for sartorial self-expression to millions of ordinary people who could now afford to dress in style and assert their physical presence. Millions of laborers toili…
"At the intersection of the growing national conversation about our food system and the long-running debate about our government's role in society is the complex Farm Bill. American farm policy, built on a political coalition of related interests with competing and conflicting d…
