So That All Shall Know is a testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.
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Text and accompanying photographs show the use of children as industrial workers, interwoven with the story of Lewis W. Hine who took these photographs and whose life work made significant difference in the lives of others.
This is a biography of Lewis Hine, who crusaded for laws against child labor.
Text and accompanying photographs show the use of children as industrial workers, interwoven with the story of Lewis W. Hine who took these photographs and whose life work made significant difference in the lives of others.
This photo-essay describes child labor in the United States at the beginning of the century and how Lewis Hine fought for reforms. A profile of the investigative photographer & how he used his camera to expose the horrors of forced child labor in the United States during the ear…
This title challenges the widely-held idea that Africans are powerless in the creation of self-image. It explores the ways in which image creation is a process of negotiation entered into by a wide range of actors within and beyond the continent.
Africa traditionally has had a bad image. For many, particularly in the West, the continent summons up ideas of corrupt leadership, malnourished, diseased children, conflict and crime from internet scams to piracy. Often it seems that outsiders -development agencies, well-meanin…
This title challenges the widely-held idea that Africans are powerless in the creation of self-image. It explores the ways in which image creation is a process of negotiation entered into by a wide range of actors within and beyond the continent.
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fict…
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, this book covers experimental works by politically progressive artists. It argues that these artists drew attention to the country's most vulnerable residents by using "aesthe…
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fict…
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fict…
In The Bowery in two inadequate descriptive systems (1974--75), Martha Rosler bridged the concerns of art with those of political documentary. The work, a series of twenty-one black-and-white photographs, twenty-four text panels and three blank panels, embraces the codes of the …
Walker Evans said in his 1958 introduction to Robert Frank's 'The Americans' ; For the thousandth time, it must be said that pictures speak for themselves, wordlessly, visually, or they fail ; The images revolutionized postwar American photography. With their candid images of me…