Introduction: dare we look closely at television? -- Television and zerodegree style -- Stylistic crossover in the network era: from film to television -- the persuasive power of style -- Style in an age of media convergence -- Televisuality and the resurrection of the sitcom in…
"Style matters. Television relies on style - setting, lighting, videography, editing, and so on - to set moods, hail viewers, construct meanings, build narratives, sell products, and shape information. Yet, to date, style has been the most understudied aspect of the medium. In t…
"Style matters. Television relies on style - setting, lighting, videography, editing, and so on - to set moods, hail viewers, construct meanings, build narratives, sell products, and shape information. Yet, to date, style has been the most understudied aspect of the medium. In t…
Introduction: The hors d'oeuvre / Kyle A. Moody and Nicholas A. Yanes -- Giving voice to the unmentionable : how Hannibal Lecter uses bodies in the television series Hannibal / Lisa Rufus -- My darling cannibal : the mechanics of perverse allegiance in Hannibal / Kirsty Worrow -…
"This essay collection explores "teen TV" in the U.S., describing the meanings and manifestations of this category of programming from a variety of perspectives. It views teen TV through an industrial perspective, focuses on popular programs from a cultural context, and explores…
"This essay collection explores "teen TV" in the U.S., describing the meanings and manifestations of this category of programming from a variety of perspectives. It views teen TV through an industrial perspective, focuses on popular programs from a cultural context, and explores…
"Sound positions individuals as social subjects. The presence of human beings, animals, objects, or technologies reverberates into the spaces we inhabit and produces distinct soundscapes that render social practices, group associations, and socio-cultural tensions audible. The A…
In most subtitling countries, those lines at the bottom of the screen are the most read medium of all, for which reason they deserve all the academic attention they can get. This monograph represents a large-scale attempt to provide such attention, by exploring the norms of subt…
In most subtitling countries, those lines at the bottom of the screen are the most read medium of all, for which reason they deserve all the academic attention they can get. This monograph represents a large-scale attempt to provide such attention, by exploring the norms of subt…
by Müller, Wolfgang, Gumbrecht, Hans Ulrich, Baecker, Dirk, Pfaller, Robert, Hagen, Wolfgang, Beyes, Timon, Warnke, Martin, Tyradellis, Daniel, Thomä, Dieter, Felsch, Philipp, Schmitz, Lisa, Detjen, Stephan, Aguigah, René, Nake, Frieder, Macho, Thomas, Rieger, Stefan, Vagt, Christina, Kittler, Wolf, Velminski, Wladimir
by Müller, Wolfgang, Gumbrecht, Hans Ulrich, Baecker, Dirk, Pfaller, Robert, Hagen, Wolfgang, Beyes, Timon, Warnke, Martin, Tyradellis, Daniel, Thomä, Dieter, Felsch, Philipp, Schmitz, Lisa, Detjen, Stephan, Aguigah, René, Nake, Frieder, Macho, Thomas, Rieger, Stefan, Vagt, Christina, Kittler, Wolf, Velminski, Wladimir
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