This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from …
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Bilder sind heute in hohem Maße mobil(isiert). Dafür sorgen nicht nur ihre mediale Diffusion und technische Reproduzierbarkeit, sondern vor allem auch die vielfältigen, beweglichen Apparaturen zur Projektion. Projektion ist dabei nicht nur als eine geometrische Anordnung zu vers…