"The International Film Business" considers the independent film sector as a business, and the specific skills and knowledge that it requires
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Cinema and the Swastika is the very first publication to bring together comparative research on the international expansion of the Third Reich cinema. This volume investigates various attempts to economically, politically and culturally infiltrate the film industries of 20 count…
Columbia Pictures: Portrait of a studio
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Type: Book
Through an examination of cinema over the course of the twentieth century, the author establishes the process of the emergent capitalization of perception. By exploring a set of films made since the late 1920s, he argues that, through cinema, capital first posits and then presup…
What are movies? Once derided as senseless entertainment, they have gradually assumed a place among the arts. Raymond Haberski traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Haberski …
Provides a road map of the scholarship on modern Hindi cinema in India, with an emphasis on understanding the interplay between cinema and colonialism, nationalism, and globalization. This book attends to issues of capitalism, nationalism, orientalism, and modernity through unde…
Film Marketing is the first book to consolidate existing literature into a well informed and academically sound textbook. The book focuses on the film industry as a whole, which incorporates popular (mainstream) fiction films (usually) in English, non English language fiction fi…
"Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of produc…