"Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, Andre Gide, and Colette…
A storyteller's craft can often be judged by how convincingly the narrative captures the identity and personality of its characters. In this book, the characters who take centre stage are 'strange' first-person narrators: they are fascinating because of how they are at odds with…
Leading scholars and practitioners of first-person film are brought together in this collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Leading scholars and practitioners of first-person film are brought together in this collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play -- the matter and the maker -- thus the two ways of being subjectified as bo…
