Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term 'reflexive' is here used to refer to images that invite reflectio…
Philosophical thoughts on pornography -- Badiou and the pornographic present -- The architecture of the pornographic age -- Architecture and political truth : critique of pornographic capitalism. "Architecture, and its pedagogy in the academy, is dominated by the technology of …
Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the 'naked power' behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The proble…
"Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the 'naked power' behind its operation. It conforms to principles of cultural logic of the society of spectacle, consistent with neoliberal capitalism. The problem with …
"Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the 'naked power' behind its operation. It conforms to principles of cultural logic of the society of spectacle, consistent with neoliberal capitalism. The problem with …
Après avoir rappelé les principales approches de l'image en sciences humaines et notamment les apports du cognitivisme, Serge Tisseron s'appuie sur l'expérience clinique pour proposer des nouveaux repères à notre compréhension des images. Elles ne sont pas seulement des signes, …
« Celui qui voit ne sait pas voir » : telle est la présupposition qui traverse notre histoire, de la caverne platonicienne à la dénonciation de la société du spectacle. Elle est commune au philosophe qui veut que chacun se tienne à sa place et aux révolutionnaires qui veulent ar…