For the past few decades Hal Foster's critical gaze has encompassed the increasingly complex machinery of the culture industry. His observations push the boundaries of cultural criticism to establish a vantage point from which the seemingly disparate agendas of artists, patrons,…
"Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie -such was Walter Benjamin in the later 1930s. This third volume in a four-volume set offers twenty-seven brilliant pieces, nineteen of which have n…
The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty, focusing on the parallels between their emphasis on the connection of earth, art and a people-to-come. Contextualising the problematic of a people-to-come within a larger …
A multi-layered reading of the intersections between two of the most influential figures in contemporary philosophy The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty, focusing on the parallels between their emphasis on the…
The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty, focusing on the parallels between their emphasis on the connection of earth, art and a people-to-come. Contextualising the problematic of a people-to-come within a larger …
In the 1980s Danto announced that art ended in the sixties. Here he presents the first full-scale reformulation of his original insight, showing how art has deviated irrevocably from the narrative course that previously defined it. Danto focuses on the philosophy of art criticis…
Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight…