The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive exa…
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive exa…
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive exa…
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles …
During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard's grand narratives, as a sign of what he diagnosed as our 'postmodern condition', has become mo…
Rethinking difference in music scholarship
Introduction : rethinking difference / Olivia Bloechl, with Melanie Lowe -- "He said, she said?" (on speech, sex and song in early modern Florence) / Suzanne Cusick -- Race, empire, and early music / Olivia Bloechl -- What Mr. Jefferson didn't hear / Bonnie Gordon -- Difference …
Rethinking difference in music scholarship
Introduction : rethinking difference / Olivia Bloechl, with Melanie Lowe -- "He said, she said?" (on speech, sex and song in early modern Florence) / Suzanne Cusick -- Race, empire, and early music / Olivia Bloechl -- What Mr. Jefferson didn't hear / Bonnie Gordon -- Difference …
Lexikon Schriften über MusiknBand 1
In welchem Tempo hat Johann Sebastian Bach seine eigenen Musikstücke gespielt und aufgeführt?Das Buch gibt eine Antwort darauf - erstmals ausschließlich auf der Grundlage von Bachs eigenen Aussagen, nämlich den Partituren seiner Kompositionen. Die Analyse von Bachs Werken zeigt,…
Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluat…
"Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevalua…
