Ozu, Yasujirō

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A number of writers have attempted to capture Robert Bresson's style as well as his substance with such terms as 'minimalist', 'austere', 'ascetic', 'elliptical', 'autonomous', 'pure', even 'gentle'. Most famously, Paul Schrader once called Bresson's films 'transcendental', whil…

"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton,…