This text provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. It also breaks new ground in the scholarship on Deleuze's aesthetics.
This text provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. It also breaks new ground in the scholarship on Deleuze's aesthetics.
This text provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. It also breaks new ground in the scholarship on Deleuze's aesthetics.
"This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience…
We live in a digital age where the mediums of art are inextricably bound to the binary code, and painting and photography are redefined in their interconnected relationship through digital reconfiguration. As digitisation unmoors these mediums from their traditional supports, th…
Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder. "Gro…
Grootenboer aborda el arte como filosofía, es decir, el arte como consideración del pensamiento. Insiste en que el arte moderno puede ser visto a través de intereses y conceptos contemporáneos y que puede articular pensamientos y formar conceptos en términos visuales, lo que est…