Ian Aitken attempts a rigorous and systematic application of realist film theory to the analysis of particular films. He provides a comparative analysis of the theories of Grierson Bazin and Kracauer, also throws new light on Lukács theory of realism, and attempts to establish a…
Ian Aitken attempts a rigorous and systematic application of realist film theory to the analysis of particular films. He provides a comparative analysis of the theories of Grierson, Bazin and Kracauer, also throws new light on Lukács theory of realism, and attempts to establish …
The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to…
"Recognizing that film is both the dominant entertainment medium and an effective tool for teaching, this book--featuring articles originally published in the magazine Scary Monsters--separates biological reality from fantasy in dozens of science fiction films. "--
"Recognizing that film is both the dominant entertainment medium and an effective tool for teaching, this book--featuring articles originally published in the magazine Scary Monsters--separates biological reality from fantasy in dozens of science fiction films."--
"Recognizing that film is both the dominant entertainment medium and an effective tool for teaching, this book--featuring articles originally published in the magazine Scary Monsters--separates biological reality from fantasy in dozens of science fiction films."--
"Recognizing that film is both the dominant entertainment medium and an effective tool for teaching, this book--featuring articles originally published in the magazine Scary Monsters--separates biological reality from fantasy in dozens of science fiction films."--
Combine la double vocation d'une pensée analytique et d'une pratique esthétique de la création au cinéma, comme deux volets d'un même combat pour la construction d'une approche politique de l'expérience cinématographique.
