How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers" that help them use time, summon up willpower, exercise self-…
This book provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park…
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II, as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour wa…
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour w…
"Most directors have one film for which they are known or possibly two," said Francis Ford Coppola. "Akira Kurosawa has eight or nine." Through masterpieces such as Kagemusha, Seven Samurai, and High and Low, Akira Kurosawa (1910-98) influenced directors from George Lucas and St…
"Conventional wisdom holds that John F. Kennedy was the first celebrity president, in no small part because of his innate television savvy. But, as Kathryn Brownell shows, Kennedy capitalized on a tradition and style rooted in California politics and the Hollywood studio system.…
"Cy Endfield (1914-1995) was a filmmaker who was also fascinated by the worlds of close-up magic, science, and invention. After directing several distinctive low-budget films in Hollywood, he was blacklisted in 1951 and fled to Britain rather than 'name names' before HUAC, the U…
From the trolley scene in Meet Me in St. Louis (1944) to Fred Astaire and Ginger Rogers's last dance on the silver screen (The Barkleys of Broadway, 1949) to Judy Garland's timeless, tuxedo-clad performance of "Get Happy" (Summer Stock, 1950), Charles Walters staged the iconic m…
""This penetrating study examines how these filmmakers confronted their cultural heritage and used it as a counterpoint to their depiction of mainstream America.""--American CinematographerIn this unique film history, Lee Lourdeaux traces the impact of Irish and Italian cultures…
