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This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contra…
In 1861, a half-century before Arnold Schoenberg's break with tonality, a young composer associated with Liszt saw a threshold to musical modernism as lodged in the "suspension of the main key." As the unified tonal perspective of the earlier music yielded increasingly to dualis…
Explaining tonality: Schenkerian theory and beyond
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Type: Book
Explaining tonality: Schenkerian theory and beyond
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Type: Book
Verkenningen van de betekenis van tonaliteit in de muziek, met als vertrekpunt de theorieën daarover van de musicoloog Heinrich Schenker (1868-1935).