Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which "the people" were ideologically figured by the commercial mass media. During this time, ar…
"Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, …
Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film.
"Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, …
What is a moving image, and how does it move us? In Thinking In Film, celebrated theorist Mieke Bal engages in an exploration - part dialogue, part voyage - with the video installations of Finnish artist Eija-Liisa Ahtila to understand movement as artistic practice and as affect…
"A wide-ranging theoretical and aesthetic exploration of hybrid moving images based on the intersection of film, video, and digital technology"--
Ausstellungen sind konstitutiv für die "Ordnungen des Wissens" einer Kultur - so etwa für den Kanon der Kunstgeschichte. Im Mittelpunkt dieses Buches steht die "Documenta 11" aus dem Jahre 2002, an der sich eine Entwicklung symptomatisch ablesen lässt: Nach dem Bruch von 1989 un…