Notions of Temporalities in Artistic Practice
William Eggleston - democratic camera: photographs and video, 1961 - 2008 ; [on the occa…
by Haus der Kunst München, Whitney Museum of American Art, Sussman, Elisabeth, Weski, Thomas, De Salvo, Donna M., Eggleston, William, Exhibition William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008, New York, NY u.a, Exhibition "William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008", New York, NY, Exhibition "William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008", München, Exhibition "William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008", Washington, DC
Elvis's Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape - these are only a few of the iconic images captured by the 'democratic camera' of photographer William Eggleston. Drawing together Eggleston's famous and lesser-known wor…
Elvis's Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape, these are only a few of the iconic images captured by the "democratic camera" of photographer William Eggleston. Not only has he drawn upon images so telling of American …
Digital baroque: new media art and cinematic folds
Dan Graham's Rock My Religion (1982-84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of s…
Introduction: cinematic and artistic takes on migration and mobility in contemporary Europe -- Transnational flows in cinema. Cross-border mobility and confinement in Turkish German cinema: Countess Sophia Hatun and The edge of heaven -- Performative encounters and mediated memo…