Introduction: Liberating captivity: sacred translations of secular narratives -- A pious translation: the multiplicity of call it sleep and Henry Roth's single sin -- Converting books into bodies: unorthodox women and the vanity of art -- An inward eye: Modigliani and the burden…
"Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch examines West's letter…
"Nathanael West has been hailed as "an apocalyptic writer," "a writer on the left," and "a precursor to postmodernism." But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch examines West's letter…
The phrase cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in t…
"From his name to his college transcript to his literary style, Nathanael West was self-invented. Born Nathan Weinstein, the author of the classics Miss Lonelyhearts (1933) and The Day of the Locust (1939) was an uncompromising artist obsessed with writing the perfect novel. He …
"This book may be viewed not only as n post-Proppian, post-Greimassian reconstruction and theoretical advance but also as a neo-Proppian, neo-Greimassian remodelling of story logic leading to an integrated descriptive model which focuses, by design, on narrative semiotics as a b…
