This thesis offers the first sustained study of the various ways that English-language authors represented the voice of God during the early modern period. By situating the idea of God’s voice in the context of Protestant anxiety over scriptural usage, I consider how writers wor…
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“Unmoved Emotions in Shakespeare and Milton” challenges the longstanding understanding of the relation between emotion and morality as primarily one of motivation and action. On this view, emotions either serve morality by motivating virtuous actions or do the opposite by drivin…